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Біографія

Луї Андріссен: біографія

нідерландський композитор, історик і теоретик музики

Народився в музичній сім'ї, син композитора Хендріка Андріссена (1892-1981), композиторами стали також його брат і сестра. Навчався у Гаазькій Королівської консерваторії у свого батька і Кеєса ван Барена, а також в Мілані і Берліні у Лучано Беріо (1962-1965). У 1959 р. був удостоєний першої премії на конкурсі композиторів «Гаудеамус».

Зазнавши впливу Стравінського, американських мінімалістів, джазу, прийшов до експериментальної антиромантичної манері, що відкидає традиційний симфонічний оркестр. Працював у кіно (див.:). Співпрацював з Пітером Грінвєм (опери «Роза: Смерть композитора», 1994, і «Листи Вермеєра», 1999, написані Андріссеном на його лібрето), великими нідерландськими поетами і прозаїками - Хьюго Клаусом, Харрі Мюліш, Люсебертом, Сібреном Польотом і ін< / p>

Твори

Song Lines (1992) for 3-6 saxophones
De Staat (1972-74) (text by Plato) for 2 sopranos, 2 mezzo-sopranos, 4 oboes (3rd, 4th + English horn), 4 horns, 4 trumpets, 3 trombones, bass trombone, 2 harps, 2 electric guitars, 4 violas, bass guitar, 2 pianos
Reconstructie (1969) (with Reinbert de Leeuw, Misha Mengelberg, Peter Schat, Jan van Vlijmen, libretto by Hugo Claus, Harry Mulisch) Morality opera for soloists, 3 mixed choruses (4 voices each), orchestra (11 winds, 7 brass, 2 guitars, 11 keyboards, 10 strings), live electronics
George Sand (1980) (text by Mia Meyer) Music theatre work for 8 mixed voices, 4 pianos
La Passione ( 2000-02) (text by Dino Campana) for female jazz voice, violin, small orchestra (7 winds, 7 brass, electric guitar, cimbalom, 2 pianos, synthesizer, 2 percussion, 3 violins, bass guitar)
Chorale (1992) for piano
De vleugels van de herinnering (2001) (text by Larissa Tiginachvili) for voice, piano
Hymne to the Memory of Darius Milhaud (1978) (version of chamber work)
Machmes Wos (1996) for voice, piano
Ende (1981) for 2 alto recorders (1 player)
Laat toch vrij de straat (1978) (text by Jaap van der Merwe) for voice, piano
The New Math (s) (2000) (text by Hal Hartley) for soprano, transverse flute, violin, marimba, CD (music by Michel van der Aa), 2000 (film score; may be performed as a concert work)
De Snelheid (1982-83 rev. 1984) for три amplified ensembles
Deuxi? me chorale (1992) for music box
Souvenirs d'enfance (1966) for piano
Nocturnen (1959) (text by the composer) for 2 sopranos, orchestra
? tude pour les timbres (1962) for piano
Orpheus (1977) (text by Lodewijk de Boer) Music theatre work for 8 mixed voices, lyricon, electric guitar, bass guitar, synthesizer, percussion
Facing Death (1990) for amplified string quartet
Symphonie voor losse snaren (1978) for 12 strings
Il Principe (1974) (text by Niccolo Machiavelli) for 2 mixed choruses, 8 winds, 3 horns, tuba, bass guitar, piano
Workers Union (1975) for any loud sounding group of instruments
Anachronie II (1969) for oboe, small orchestra, 1969; Hoe het is, 52 strings, live electronics
Feli-citazione (2000) for piano
Disco (1982 ) violin, piano
Writing to Vermeer (1997-99) (libretto by Peter Greenaway) Opera for 2 children's voices, 2 sopranos, mezzo-soprano, female chorus, orchestra (7 winds, 2 horns, 2 trumpets [2nd + bass trumpet], 2 harps, 2 electric guitars, cimbalom, 2 pianos, on-stage harpsichord, 2 percussion, minimum 22 strings), CD (music by Michel van der Aa)
Spektakel (1970) for improvisational ensemble, small orchestra (12 winds, 4 horns, 6 percussion)
Romance voor Caecilia (1991) for piano
Boodschappenlijstje van een gifmengster (2000) (text by the composer) for vocalist (also writes), voice (may be performed as Shopping List of a Poisoner
De Materie (1984-88) (texts from the Plakkaat van Verlatinge, Nicolaes Witsen, David Gorlaeus, Hadewijch, MHJSchoenmaekers, Madam van Domselaer-Middelkoop, Willem Kloos, Maria Curie, Fran? oise Giroud) Music theatre work for soprano, tenor, 2 female speakers, 8 amplified mixed voices, amplified orchestra (15 winds, 13 brass, harp, 2 electric guitars, 2 pianos [one + electric piano], off-stage upright piano, celesta, 2 synthesizers, 6 percussion, minimum вересня strings, bass guitar. Two of its four sections may be performed separately as concert works: Hadewijch, De Stijl
The Garden of Ryoan-gi (1967) for 3 electronic organs
M is for Man, Music, Mozart (1991) (texts by the composer, Jeroen van der Linden, Peter Greenaway) for female jazz voice, flute (+ piccolo), soprano saxophone, alto saxophone, tenor saxophone, horn, 3 trumpets, 2 trombones, bass trombone, double bass, piano (TV score; may be performed as a concert work with one additional song)
Nederland, let op uw schoonheyt (1975) for symphonic band
Joli commentaire (1961) for piano 4 hands
Y despu? s (1983) ( text by Federico Garcia Lirca) for voice, piano
Trois Pi? ces (1961) for piano left hand
Inanna's Descent (2000) for mezzo-soprano, piccolo, oboe, violin , piano, 2 percussion ensembles (4-12 total players)
Wals (1974) 1974 for piano
Strijkkwartet No. 2,''Tuin van Eros''(2002) for string quartet
Nuit d''? T? (1957) for piano 4 hands
De komst van Willibrord (1995) for carillon
Not an Anfang (1997) for piano
Lied (1993) for piano
Doctor Nero (1984) Music theatre work
Zilver (1994) for flute, clarinet, violin, cello, piano, vibrqphone, marimba
Hout ( 1991) for tenor saxophone, electric guitar, piano, marimba (+ woodblocks)
Dubbelspoor (1986 rev. 1994) Ballet music for piano, harpsichord, celesta, glockenspiel
Menuet voor Marianne (1983) for piano
Passeggiata in tram in America e ritorno (2001) (text by Dino Campana) for female Italian voice, 3 trumpets, 3 trombones, electric guitar, electric violin, double bass, piano, percussion, 1998 (also version for voice, flute, horn, 3 trumpets, 3 trombones, amplified violin, double bass, piano
Mattheus passie (1976) (text by Louis Ferron) Music theatre work for 8 mixed voices, 2 oboes (both + English horn), Hammond organ, string quartet, double bass
Ittrospezione III (Concept II) - Fragment (1965) tenor saxophone ad libitum, 2 pianos (section of Ittrospezione III [ Concept II]; may be performed separately)
Haags Hakkuh - The Hague Hacking (2003) for 2 pianos
Rosa: The Death of a Composer (1993-94) (libretto by Peter Greenaway) Opera for 2 sopranos, tenor, 2 baritones , female speaker, 8 mixed voices, orchestra.
Ittrospezione I (1961) for piano 4 hands
Overture to Orpheus (1982) for harpsichord
Racconto dall 'inferno (2004) (text by Dante Alighieri) for female jazz voice, small orchestra (8 winds, 6 brass, guitar, cimbalom, 2 pianos, 2 percussion, minimum 8 strings, bass guitar
S? ries (1958) for 2 pianos
Nietzsche redet (1989) (text by Friedrich Nietzsche) for speaker, alto flute, English horn, clarinet, bass clarinet, bassoon, 2 violins, viola, 2 celli, double bass, 2 pianos
Nadir en Zenit (1992) improvisations on poems by Sybren Polet for voice, piano (+ synthesizer)
RUTTMANN Opus II, III, IV (2003) for flute , 3 saxophones, horn, 3 trumpets, 3 trombones, double bass, piano
De Lijn (1986) for 3 flutes
Un beau baiser (1980) for mixed chorus
Dances (1991) (text by Joan Grant, choreography by Bianca van Dillen) For soprano, small orchestra (amplified harp, amplified piano, percussion, strings). May be performed as a concert work.
De Staat (1972-76) for 2 pianos (version of vocal work)
Dirck Sweelinck Missed the Prince (1999) for harpischord
Base (1994) for piano left hand
Commentaar (1981) (text by Wilhelm Schon) for voice, piano
Symfonie? n der Nederlanden (1974) for 2 or more symphonic bands (minimum 32 players)
Anachronie I (1966-67) for large orchestra
Canzone 3.Utinam (1972) (text from the Book of Job) for soprano, piano, 1962; Thanh Hoa (text by Nguyen Thay Mao), voice, piano
Very Sharp Trumpet Sonata (2002) for trumpet
De Toren (1988, rev. 2000) for carillon
M is Muziek, Monoloog en Moord (1993) (text by Lodewijk de Boer) Music theatre work
To Pauline O (1995) for oboe
... not being sundered (1992) (text by Rainer Maria Rilke) for soprano, flute, cello
De eerste minnaar ( 1998) (text by Ton Tellegen) for boy soprano, organ, 1998 (section of music theatre work Oldenbarneveldt; may be performed as a concert work)
Woodpecker (1999) for percussion
In Memoriam (1971) for tape
Fanfare om te beginnen (2001) for 6 groups of horns
Mausoleum (1979 rev. 1981) (texts by Mikhail Bakunin, Arthur Arnould) for 2 high baritones, orchestra (12 brass, 2 harps, cimbalom, 2 pianos, 2 percussion, minimum 10 strings, bass guitar)
Image de Moreau (1999) for piano
Tuin van Zink (1998) for viola, live electronics
The Memory of Roses (1992) for piano (+ toy piano)
De Tijd (1979-81) (text by St . Augustine of Hippo) for female chorus, percussion ensemble, orchestra (6 flutes, 2 alto flutes, 3 clarinets, contrabass clarinet, 6 trumpets, 2 harps, 2 pianos, Hammond organ, strings, 2 bass guitars)
Letter from Cathy (2003) (text from a letter by Cathy Berberian to the composer) for female jazz voice, harp, violin, double bass, piano, percussion< / li>
De negen symfonie? n van Beethoven (1970) for ice cream bell, orchestra
Odysseus 'Women (1995) (text by Homer, choreography by Beppie Blankert) for 2 sopranos, 2 altos, sampler
La voce (1981) (to a text by Cesare Pavese) for cello, voice
Triplum (1962) for guitar
Trepidus (1983 ) for piano
Trilogie van de Laatste Dag (1996-97) (each of its three sections may be performed separately: (i) The Last Day (texts by Lucebert, folksong A Woman and Her Lass) for boy soprano, 4 male voices, orchestra; (ii) TAO (texts by Laozi, Kotaro Takamura) for 4 female voices, piano [+ voice, koto], small orchestra [5 winds, 2 horns, harp, piano (+ celesta) , 2 percussion, minimum 14 strings]; (iii) Dancing on the Bones (text by the composer) for children's chorus, orchestra, 1997)
Inanna (2003) texts by Hal Hartley, Theo JHKrispijn) for 4 voices, 3 actors, mixed chorus, contrabass clarinet, 4 saxophones, violin, film (by Hal Hartley)
Lacrimosa ( 1991) for 2 bassoons
Felicitatie (1979) for 3 trumpets
Registers (1963) for piano
Berceuse voor Annie van Os (1985) for piano< / li>
Ittrospezione II (1963) for large orchestra
Tuin van Eros (2003) for violin, piano
Klokken voor Haarlem (2002) for piano, celesta, synthesizer , vibraphone (+ glockenspiel)
Il Duce (1973) for tape
Een lied van de zee (1994) (text by H? l? ne Swarth) for female voice
What Shall I Buy You, Son? (2000) for voice, piano

Андріссен про музику

Годинники Аполлона. Про Стравінському. СПб: Інститут ПРО АРТЕ; Академічний Проект, 2003 (у співавторстві з Елмер Шенбергером).
Украдене час. СПб: Культ-Інформ-Прес, 2005.

Про нього

Everett YU The Music of Louis Andriessen. Cambridge: Cambridge UP, 2007.
The Music of Louis Andriessen / Maja Trochimczyk, ed. New York: Routledge, 2002.